Showing posts with label fabric love. Show all posts
Showing posts with label fabric love. Show all posts

18th Century Cottons

Wednesday, August 31, 2011

When making an 18th century dress (or any historical garment before the advent of synthetic fabrics) you have essentially four options: wool, silk, cotton, and linen. Of course, the most common of these today is cotton. But most cotton isn't appropriate for 18th century clothing because of the print. So what cotton prints are appropriate?


I did some research. All the gowns in this post are cotton.

First we have the most common kind of cotton print. White or cream background with some sort of floral, viney pattern.



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These are really the quintessential cotton gown. Some of the patterns are more dense but follow the same basic principle:


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From LACMA

And here is another example of the floral-on-white pattern:


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There are other floral prints that aren't so viney but are more spaced out. Prints like these are easier to find these days. These prints remind me of a garden tea party.
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From the V&A

And there are also some ridiculously big floral splotches on white, like these two:

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From LACMA


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From the Met

That first one is a little ridiculous! It's like, neon fruits. Almost graphic! Also, check out the border print on the second one.


Then we have stripes. It appears that stripes, when used on cotton, were more for work dresses or for middle- to lower-class gowns. You probably wouldn't see Marie Antoinette at a ball in a cotton dress of any print.

This gown is the only cotton striped gown I could find online.


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It's hard to tell, but it's got tiny blue stripes all over. The pattern is: wide white stripe, narrow blue, narrow white, narrow blue, wide white, etc. The page says that it was a middle-class woman's gown.

Finally, there are some surprising prints that don't really fit into any of these categories. This is the weirdest 18th century dress I have ever seen.


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The print looks way more 1840s-1860s to me than 1780s! Here is a close-up of the fabric;

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Weird. But it's comforting because I can so see this being in a store today. These are from the V&A.

So, you ask, where can I actually get a moderately accurate looking fabric to make a cotton gown out of? There are online stores that specialize in that sort of thing.


I haven't personally ordered from any of these so I can't really tell you which are good.

Some other articles on the topic:
(She has fabulous articles on everything 18th C.)

Howl Jacket, etc.

Monday, August 8, 2011


On Saturday a family friend and fellow Quaker called and told me she had a bunch of sewing stuff and fabric to get rid of and did I want it? OF COURSE I wanted it. So I went over there yesterday. There's some great stuff and some okay stuff and some weird stuff but I totally love it all.



Isn't that white floral on the top just wonderfully 18th century? I want to make a polonaise out of it. But we'll see, I have to make stays and all that first. The ugly orange blocky thing is heavy weight linen. PERFECT for the inner layer of some stays. Not useful for very much else. There is a lot of patterning paper and these cute 70's pattern drafting kits. I love it. Oh, and that Walmart bag of scraps.

And see that white box on the far left? That's filled with yards and yards of handwoven teal silk from Thailand or somewhere. SWOON.



MEANWHILE...
In the spring I got a comment on dA on the Howl's Moving Castle jacket I made last fall. This person wanted me to make her one. I told her that I was busy at the time but she didn't need it until late September. So we've been emailing back and forth and yesterday I started working on Cindy's Howl jacket!

I made the lining first. It's made of the same red poly satin that I used for the first one. I somehow miscalculated and ended up with twice as much as I needed, so I had plenty to make this one with.

Same for the pink front and sleeves, I had plenty left over. So all I have to buy is the grey for the back, and the yellow ribbon edging. Sweet!

Here are the other pieces I've cut out so far. The pink is the front (the sleeves are under), and then there are 12 diamonds and 2 half diamonds. Really I need 18 grey pieces total, but since 6 of them are half-diamonds, I think I might be okay on the diamond front. If not, I have to get more grey anyway so I'll cut out some more.


In other news, school starts on Thursday. I'm still working on the mini 18th century things. Did I mention miniature stays take just as long as their full-size counterparts? Well, I actually wouldn't know, since I haven't made those yet. But I did win a pattern on ebay.

Sorry for the bad pictures. They're from an iPhone.

-Madame Taylor

 
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