Tan Stays- Finished and Sold!

Sunday, July 28, 2013

Every time I do a project, I tell myself, "This is the one that I'm going to take pictures of its whole process!" And then it never happens. Oh well. I've got some pictures of the finished stays though, not laced or on a person but finished nonetheless.

Here's the front view! I hadn't done the strap eyelets at this point, but they are otherwise finished.
All the boning channels are machine-sewn. On about 75% of them, I had to rip out one line of stitching and re-sew it, because I'd made them too small! It was really frustrating but I made it work. My advice here is, when you're drawing your boning channels, they've got to be a bit bigger than the boning itself! 

Here is the front again, laid out like they would be worn. 

And the back.

The inside with its muslin lining. I put in the lining after doing the boning channels and putting the panels together, but before doing eyelets and binding. Ashley will only be wearing this corset for a few reenactments a year, so I didn't think she'd need a removable lining.

I hand-sewed 23 eyelets. I actually like doing eyelets, they go fairly quickly (about 5 minutes each for me) and they're pretty satisfying when you do them well. I also got a nice awl out of the deal, so that's great!

Here's a close-up of my painstaking hand-sewn binding on the tabs! I kept track of my hours on this, and the binding took me almost as long as the entire rest of the corset. Pretty crazy, eh? I watched 3 different PBS programs, 10 Things I Hate About You, and Mean Girls in English and then in French! It was ridiculous. But it looks good! 

Here's a close-up of the front. For the binding on the top edge of the stays, I machine-sewed it to the front and did the inside by hand. My tip is do the bottom binding first because it makes the top binding seem to go so much faster! 

And guess what! This is my first and possibly only entry in the Dreamstress' Historical Sew Fortnightly!

The Challenge: #13 Lace and Lacings
Fabric: The outer fabric is some sort of cotton or linen, I'm not exactly sure, with a bit of a sheen. The inside layers are canvas, and the lining is unbleached muslin. The binding is commercially available bias tape.
Pattern:  The Diderot Stays pattern, which can be found in Norah Waugh's Corsets and Crinolines but which I found on La Couturiere Parisienne. 
Year: This pattern is accurate to the 1760s/1770s.
Notions: LOTS of  tan Dual Duty thread, some heavy duty thread for eyelets, and cable ties for boning. 
How historically accurate is it? Let's see. The fabric is plausibly historical but not perfect; the bias tape has polyester in it so that's a no. Most of the stitching was done by machine with polyester thread. The binding was mostly hand-sewn, and the eyelets were hand-worked. I'm going to say maybe 70% then.
Hours to complete: 24. No joke. I kept track because it was for someone else and that's how I figure out what to charge them. 
First worn: Since this wasn't for me, I'm not sure, but I think she went to try it on right after she paid me, so... July 23 I would guess!
Total cost: I charged $225 for my work, but I actually didn't spend any money on this because Ashley bought the fabrics and notions for me. So I really don't know. 

This was quite an adventure and I'm glad I got to step away from the usual hemming and mending work people pay me for! 

-Madame Taylor

Beginnings of the Tan Stays

Monday, July 15, 2013

I was thrilled to get a commission from someone who does French and Indian War reenactment and wanted some 18th century stays made for her. Of course I jumped at the chance! When most of my summer sewing work is mending, hemming, making pillows, and other tedious tasks, a historical garment, and one I have experience with nonetheless, was a definite yes! 

So, I drafted a pattern based on Ashley's measurements, with help from La Couturiere Parisienne's helpful guide as well as various scans I found online of the Diderot stays from Corsets and Crinolines (the book is on my wishlist for sure). I messed up a bit in the original patterning and thus on my first set of stays as well: I had assumed the side seams on the pattern were in fact side seams, and drafted my pattern thus. After a little reconsideration and wondering why my pattern didn't look like the original, I realized they're about an inch back from being a true side seam! Luckily I had only cut out a mockup thusfar, and luckily it was really easy to simply chop off an inch of the back piece and tape it to the front. 

Here is a photo of the front pattern piece lying on the heavy duck fabric that I'm using for the inside layers. I made the front point shorter than usual because Ashley said that her reenactments involve more sitting than standing, and I thought that would be more comfortable for her.

The two pattern pieces side-by-side

The fronts all layered together

The backs all layered together

This is my attempt to show off the outer fabric that Ashley picked out. I think it's some sort of rough cotton or possibly linen, but it's got this silvery sheen to it which is quite lovely and quite hard to capture with a camera! (This was also to show off my new camera, which does quite well in natural light especially.)

I already have all the boning channels done but did not have time to take a picture of that yet. The eyelets will be done by hand, as will much of the binding. It is amazing how quickly sewing the boning channels went, compared to doing them by hand! 

This will be my (probably) one and only entry into the Dreamstress' Historical Sew Fortnightly, late I admit, under Lace and Lacing. I will get it done in 2 weeks however, because I'm leaving Vermont next Tuesday! Time for some speed-sewing!

-Madame T

This machine is amazing

Friday, June 21, 2013

Well, I'm in Vermont for the summer, and I'll be doing my usual sewing and mending for money thing, just in a new location. I don't really have much to post, but I wanted to show off the machine that I'm borrowing for the summer. It's crazy.

crazy machine

It's an Elna 7000, which according to the foot pressing the pedal in the manual, appears to be from the Eighties. I did a Google and found someone who'd bought one new in 1988, so there you go. It's computerized. See that black rectangle? It lights up with the number of stitch you choose, the width and length, and which foot you should use for it. It does buttonholes really simply. Also, all those crazy stitches on the top? That's only half of them. They rotate to display more, including all the letters of the alphabet. It's great.

So here are some samples of the stitches it does.


Also, you can get it to memorize a sequence of stitch types. That's how I did the "HUEHUEHUE" and the "TROLOLOL" parts. Oh yeah, and you can do ducks.


I really like the feathery stitch, and the herringbone kind of one. 

Anyway, so that's the current excitement. Someone might be commissioning a reenactment costume, which would be amazing. 

-Madame T

I made a TARDIS skirt!

Tuesday, April 9, 2013

Well, it's been a while! To be honest, I haven't really been making much, though. College keeps me busy! Over spring break, though, I finally made this skirt which I've been planning for over a year (I went back and found sketches of it in my notebook from probably last October) so that's good!

 It's made of cotton, with a pattern I drafted myself. The side seams are machine done but crazy me decided to spread the seams, turn them under, and hand-whip them down. I don't know what that seam finish is called but it looks nice! A lot of work though. I did the zipper by hand too because I needed to make it work easily from both sides. It's still a little awkward to zip from the plain black side, but it works! 

The TARDISes were stenciled with contact paper and acrylic paints. I put them on a separate piece of fabric so the paint wouldn't seep through, and then sewed it on. 

I'm quite satisfied with it! Hopefully, I'll be able to post some of the other things I've made soon.

-Madame T

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